Artwork 2012 - Present
Colonnade: Doric 3. Plaster, wood, aluminum, lath and hardware. 2023
Some Noble Parts. Plaster, wood, aluminum, lath and hardware. 2023
Attestant I and II Plaster, wood shoring, zipties, slaked lime. 2018
Study In Proportions: Penn Station Façade Found wood, paper, plaster, c-clamps, zip-ties and assorted small hardware. 2016
Monument (Tripartite Arch) Found wood moldings, wood, plaster, hardware. 2018
Afterimage Charred wood, paper, paperboard, glue, hardware. 2017
Arson Study: Johnson Landmark Building Ebonized and burnt wood, powdered charcoal. 2014
Arson Study: Johnson Landmark Building Ebonized and burnt wood, powdered charcoal. 2014
Renovation: Brick Window (on left) Graphite, house paint, tape on paper and wall. Void: Drawing for 26th Street Doorway (on right) Powdered graphite on existing wall. 2013
Study for Bushwick Renewal: Voids Existing studs and sheetrock, material removed. 2016
Fenestration I: Cross, Lean, and Brick Window) (background) / Monument 4 (foreground) Sheetrock removed, wood, hardware, pressed-tin, plaster. 2018
Window Study: East 3rd Street Reveal I and II Architectural intervention with existing sheetrock, lath, tape, graphite, shims. 2017
Beacon: 299 Meserole Architectural intervention with scraped paint, pins, snap chalk line. 2015
Window Study: 264 East 7th Street I and II Whitewashed lath, C-clamps, scraped paint, plaster, graphite, brads. 2017
Study In Proportions: Row House (front) Found wood, paper, plaster, c-clamps, zip-ties and assorted small hardware 2016
Study In Proportions: Row House (back) Found wood, paper, plaster, c-clamps, zip-ties and assorted small hardware 2016
Shift: Study for Bronx Neighborhood Paper, glue, powdered graphite, chalk snap line, scraped-away paint, brick, exposed wood column 2012
Study for Bushwick Renewal: Traces Scraped paint on existing brick. 2016
Study for Bushwick Renewal: Forms + Fragments Plaster, cement, spackling paste, shims, and on-site materials. 2016
Study for Bushwick Renewal (detail) Plaster and finishing nails. 2016
Window Study: 264 East 7th Street I and II Whitewashed lath, C-clamps, scraped paint, plaster, graphite, brads. 2017
Monument: Support Column Architectural intervention with existing column. 2013
Study: Sunset Park Warehouse Conversion Paint and architectural intervention with existing columns. 2016
Fenestration II Plaster on existing sheetrock, wood, metal, hardware. 2018
Study for Picture Frame Moulding Plaster on existing wall, wood. 2019
Georgian Ornament. Plaster on existing wall. 2023
Some Noble Parts. Plaster, wood, aluminum, lath and hardware. 2023
Renovation (installation view) 100% rag paper with blind embossing, architectural intervention, snap chalk line, spraypaint, house paint, pva, found drywall, metal stud, plywood and screws. 2013
Relic: Pressed Tin Ceiling 100% rag paper with blind embossing, house paint, found paint, cut paper, graphite. 2013
Relic: Pressed Tin Ceiling (detail) 100% rag paper with blind embossing, house paint, found paint, cut paper, graphite. 2013
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Attestant I and II
Plaster, wood shoring, tiptoes, slaked lime, 2018.
This outdoor sculpture was based on two cast-iron columns salvaged from a demolition site near the artist's home in Brooklyn. The typical 3-story brick building from 1920 was slated to be demolished and turned into a new high-end apartment building. The columns, one cast in negative, and on in positive, address city dwellers' sense of positive and negative space related to demolition and construction. The columns were held up by wood shoring made from found wood moldings, mostly scavenged from apartment building renovations in Williamsburg Brooklyn.
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Study in Proportions: Penn Station Façade
Found wood, paper, plaster, c-clamps, zip-ties and assorted small hardware. 2016
Created in the James A Farley Post Office (designed by McKim, Mead and White,) the building sits across the street from Penn Station. This installation references a life-size architectural model of the former Penn Station built by Charles McKim, as well as the row houses and buildings that were demolished to make way for the original Penn Station, which was later demolished for the construction of Madison Square Garden.
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Monument (Tripartite Arch)
Found wood moldings, plaster, hardware. 2018
Created on Manhattan's Lower East Side, this artwork references the Renaissance Revival tripartite windows that make up the upper floors of the nearby Rivington House. Originally a school, and later a healthcare facility for HIV and AIDS patients, the building has been embroiled in development-related scandal since its sale in 2016. This work is made of wood salvaged from a local gut renovation of a 1895 building, along with delicate plaster arches fashioned after the historic building. This piece uses the Rivington House scandal as a symbol of backward government, historic beauty and unbridled capitalism.